Preity Zinta made her first public appearance after her team, Punjab Kings, lost the IPL 2025 final to Royal Challengers Bengaluru on June 3. The actress was visibly emotional and appeared disappointed on the ground after meeting her team members following RCB’s maiden title win. She has now been spotted for the first time since the match, at the Mumbai airport.check out the pictures here:
Pic: Yogen Shah
Pic: Yogen Shah
Pic: Yogen Shah
In the recent photos and videos shared online by paparazzi, Preity was seen covering her face with a mask as she exited the airport. She kept her look minimal, donning a green shirt paired with wide-leg jeans and carrying a handbag. She completed the outfit with white trainers and a silver pendant. The actress also wore wired earphones and waved at fans and photographers who requested pictures.social media reactionMany fans reacted positively to the video, expressing support and hope for Punjab Kings’ comeback in the next IPL season. One fan commented, “Her loyalty gives us hope and strength. Her dedication through every high and low reminds us what true fandom looks like. She never gives up, and so will we! We’ll be back stronger next year!! 🙌”Another fan wrote, “Reaching the final itself is a big achievement. Out of two teams, one has to lose and the other wins. Losing by a few runs in the final is not a big deal.”About Punjab Kings’ IPL defeatPreity Zinta’s teary red eyes from the Narendra Modi Stadium in Ahmedabad left fans heartbroken after Punjab Kings’ defeat. Meanwhile, RCB fans celebrated the long-awaited win, which came after 18 years of anticipation. Many noted that Preity had also stood by Punjab Kings for 18 years, hoping to lift the maiden cup.Social media was flooded with messages of love and support for Preity.Preity Zinta has been the co-owner of Punjab Kings since 2008. Both RCB and Punjab Kings entered the finals under immense pressure, as a victory would have secured the first IPL title for either side.Preity’s work frontOn the work front, Preity will next be seen in ‘Lahore 1947’.
